Outi Pieski
Close by the Aspens 2009
Acrylic paint on canvas, Sami- crafted duodji
I always enjoy a visit to Tate St Ives and Barbara Hepworth's lovely garden. I have go to know some of the works in the permanent collection very well and really enjoy their curation as part of Modern Conversations and the subtle changes that take place as pieces are moved out to be replaced by something different whilst continuing to maintain the overall content and flavour of the theme.
On this visit I was very interested in and captivated by the touring exhibition of work by Sami artist Outi Pieski from Finland to the point where I felt that it deserved a blog post!
I just loved the hands on immediacy of her work. Her paint application and unexpected use of materials as she juxtaposes native handicraft alongside contemporary painting resulting in some very original, unexpectedly satisfying and deeply engaging pieces of work.
I am inspired by the spirituality in walking, skiing and gathering gifts from nature, practical ways of synchronising with the rhythm of other living entities. I am interested in questions of how to propose intimacy , appreciation and miracle without sentimentality, spectacle or romanticism. (OP Tate St Ives)
The work is a powerful demonstration of the deep connection that she feels with her native landscape and culture both of which are increasingly under threat from the forces of climate change and colonialism.
Art is not bound by everyday reality. it is free to vision, reveal and pose questions that may help others to put forward realistic alternatives. Making art is one tool for me to reconnect and heal from assimilation, loss of language, loss of holistic connection to the land and the loss of traditional values, based on the sacredness of nature. (OP Tate St Ives)
Outi Pieski
Deatnu River by the Night 2013
Acrylic paint on canvas, thread
85 x 65 cm
Outi Pieski
Deatnu River, Our Ancestor 2018
Acrylic paint on canvas
Outi Pieski
Painting details